In a case marking OpenAI’s first significant patent lawsuit in Europe, the UPC Court of Appeal overturned the Paris Local Division and held that the UPC has no jurisdiction to adjudicate patent infringement in non-UPC contracting states like the UK, Switzerland, and Spain.
The Court of Justice of the European Union ruled that a retirement home’s retransmission of satellite television and radio broadcasts to residents’ rooms via internal cable does not constitute a ‘communication to the public’ under EU copyright law, distinguishing permanent ca
The Court of Justice of the European Union ruled that retransmitting satellite TV via internal cable to retirement home residents’ rooms does not constitute ‘communication to the public’ under EU copyright law, denying GEMA’s claim for separate licensing fees.
The CJEU held that a retirement home’s retransmission of satellite TV and radio signals to residents’ rooms via internal cable does not constitute a ‘communication to the public’ under EU copyright law, because residents are not a ‘new public’ beyond the original
The Court of Justice of the European Union ruled that Article 9(5) of the IP Enforcement Directive precludes national laws that allow provisional trademark measures to remain in force indefinitely when the rights-holder fails to file substantive proceedings within the mandatory deadline.
The UPC Mannheim Local Division issued an ex parte anti-anti-suit injunction ordering Geely to withdraw its Chinese interim licence application or face fines up to €50 million, in a landmark ruling reinforcing that the right to enforce a patent includes its procedural enforceability.
The CJEU Grand Chamber ruled that EU copyright’s ‘pastiche’ exception is not a catch-all defense but covers creations that use characteristic copyrighted elements to engage in recognizable artistic dialogue with existing works — a landmark holding for music sampling, remix culture,
In the latest chapter of the 25-year Kraftwerk sampling dispute, the CJEU Grand Chamber held that the copyright ‘pastiche’ exception is not a catch-all but requires overt, recognizable artistic dialogue with the source work — with major implications for sampling, remix culture, and AI-ge
The CJEU Grand Chamber ruled that pastiche under Article 5(3)(k) of the InfoSoc Directive requires an objectively recognizable artistic dialogue with the source work, expressly excluding concealed imitations and plagiarism.
In a landmark Grand Chamber ruling, the CJEU defined ‘pastiche’ as an autonomous concept in EU copyright law, holding that music sampling can be lawful where the new work establishes a recognizable artistic dialogue with the source material — with major implications for AI-generated cont